Man of the world fleetwood mac album


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They now exhibited the kind of Taking this desire to have greater control over all the aspects of producing the albums and touring the band, Mick Fleetwood and John McVie set up their own managerial company, rather amusingly called Seedy Management. I think, for instance, that if someone from outside had been handling this band we would have probably broken up when there were problems. They still, however, did everything they could to retain some verve and vibe in the process. There was nothing specifically worked out when we went into the studio. The whole thing just happened. Had they known what was going down in all these several studios and with all these diverse songwriters, they may have been less worried, but Fleetwood was never one for having massive sympathy with the business side of the music industry, and I think he enjoyed having them over a barrel for once.

Meanwhile Christine had been having a few doubts and the odd downright moment of panic because she was finding it hard to come up with any new material. It seemed as if for once her muse had deserted her. They are all about things which did happen. The only way I can be is honest. I promised myself from when I was 16 years old and wrote my first song about the break-up from my boyfriend Steve that I would never lie in my songs.

I would stay clearly truthful to the people.

Fleetwood Mac ~ Albatross (1969)

Six and a half minutes later there was a stunned silence from the suits, and they never bothered to hassle the band again. On the strength of that one listening they knew the band were onto something really special. Warner Brothers were eventually able to release it in February The single nudged its way swiftly into the Top 10 and was a portent of the gold dust yet to come when the album struck the streets — and boy, never mind the gold dust, Fleetwood Mac could have paved the streets with gold blocks from the awesome sales this album would net them.

It is difficult to imagine such impressive sales figures, but any band that sells , copies of an album in total are usually moderately satisfied with that as a result. What has this done, though? Well, the doors have just opened. Now I have the money to get my studio sculpture together, and the whole way of looking at my life has expanded over the last six months. Perhaps the only downside to all this phenomenal success was the old conundrum — how on earth do we follow that? This goes to show how dedicated the musicians were to their fans.

With albums flying off the shelves faster than they could be replenished and records being broken right, left, and centre, many less-committed bands might have just rested on their laurels and left the promotion to the executives and sales teams. Not Mick Fleetwood and his crew. Despite the reservations of Lindsey, who was never mad for the live tours, and Stevie, who always seemed to be suffering from some throat bug or virus, they prepared for what must have been a tumultuous reception from their fans at every concert. With much greater financial security, the band were able to do it in style this time.

No more sleeping on the speaker cabinets for Christine.

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No more dirty scrubby vans with no seats in the back careering down endless miles of motorway madness. No more greasy-spoon cafes. This was the high life now, and like many musicians before them they took to all this luxury like ducks to water. The band would usually play an hour-and-a-half-long set, with Nicks prancing around like a bewitched angel in satins and silks, while Buckingham looked the suave debonair rock and roll gent in his crushed velvet loons and swanky jackets.

Christine was just as attractive and alluring as Stevie, but in an entirely different way. Audiences could imagine her being the one in control of any relationship and having that more mature edge to her, while Nicks was the perpetually flighty teenage spirit that they wanted to wrap up in their arms and protect.


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Meanwhile, back at the ranch, the swarthy Fleetwood beat hell and heaven out of the drums, appearing at one point in the gig with a load of electronic pads all linked up to his body, which he hammered and battered with demonic force, filling the auditorium with a sound and spectacle second perhaps only to Keith Moon in its electrifying energy. He also used an African talking drum to great effect, striking up a rhythmic conversation with the audience. The bass player in any band is usually the more reserved of the bunch and John McVie was no exception. How many times have we heard those same riffs backing up some commercial or TV programme?

He really knew how to play his instrument for maximum effect and there was no need to stage dive into the mosh pit just to prove it. In this band, as in many, the Indeed, within the next couple of years, all the Fleetwood Mac members would have changed their partners for better or for worse. In a bizarre reversal of what normally happens when bands try to break both the American and the British music markets, it was now down to Fleetwood Mac to replicate the gains they had made in the States with a similar level of sales in Europe, and in particular England, where three of the five current members hailed from.

Most British-based bands achieve a degree of fame in Britain and then try to crack the American market. For Fleetwood Mac it had become a case of could they do this the other way round?

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In the spring of , the group returned to the UK to try and achieve this aim. The concern that Fleetwood and John McVie had was that they would be dogged by the legend of Peter Green and that most of their audience this side of the pond saw them as a blues-oriented band. It seemed as if the fans appreciated that the band had kept some of the original Peter Green material in the set and had liberally interspersed this with the new songs.

After the poor results of their previous visits to Britain, Nicks was well aware of the importance that success in the UK meant to at least three fifths of the band. Because this is home for John, Mick, and Christine. He was carrying a big Did he still harbour hopes that he might be reinstated in the band?

Did he just want to hear his songs done by the new line-up? Was it a gesture of friendship, or was it purely a case of curiosity? Whatever the reasons were that prompted his arrival at their hotel that night, it must have been an unnerving spectacle for Mick and John in particular. However, their short sojourn in Britain was soon over and the band flew back to America to start rehearsing for a further round of gigs and the inevitable return to the studio to start work on the next album.

Success in the music industry is a bit of a double-edged sword; it can cut through to greater things for a band, but it can also cut backwards on the individual members, who shoulder the responsibility of coming up with the goods again. The tendency of the musicians behind the mixing desks is to avoid precisely that syndrome. There is nothing worse for a creative Furthermore, creative people tend to be sensitive to pressure being put on them to produce the goods according to some prescribed method.

Buckingham had no doubts that he wanted to avoid falling into a creative rut. Fleetwood added a positive note to the discussion. It would be the third album for this particular quintet, which might not seem important, but considering the emotional wrangles that had been going on behind the scenes with relationships disintegrating right, left, and centre, it was an achievement that the band were all still communicating with each other. Having discovered a winning formula, they were only too happy to stick with it. During , some of those personal issues were finally settled, much to the relief of the other band members.

Lindsey, Christine, and John found happiness in new relationships. Stevie was still in the courtship phase with Don Henley from the Eagles, and seemed quite content at the status quo they had achieved. It would be a sad betrayal of all the things we hold dear as human beings if we judged the failure of the next album to be down to those involved actually being happy in their personal lives.


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  7. Heaven forbid, but the overriding principle is the same, and unfortunately for Fleetwood Mac, it was to be proved on this occasion. With three songwriters in full flood, the band had made the collective decision, spearheaded by Fleetwood, to release a double album. Just to prove that they had fresh initiative, the title track, an instrumental, included the services of a brass band to some good effect.

    On top of this, the band had got accustomed to the high life and the riders, which are the basic requirements of a band while in the studio or at a gig. What actually happened showed his dedication to the studio side of making albums and something of his tenacious spirit, because he began to take over the entire project. Whether the band saw this as a good aspect of their working relationship or a threat is hard to tell.

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    Fleetwood Mac & Peter Green - Man Of The World (, CD) | Discogs

    He went as far as making many of the tapes at home in his basement studio, using all kinds of weird instruments, including the classic cardboard drum kit. A double album can be dangerous, in that sometimes too much available space can allow for self-indulgence. What counts as The general feeling about the album says much about the everchanging dynamic of the relationship within the band. Yes, for sure they are talented song makers, but the group synthesis is missing.

    Fleetwood Mac Play Track Live For First Time In Five Decades

    To attempt this with a double album was asking for more trouble, because the critics had double the amount to prey on, simple as that. Also word had inevitably got out that the costs had been upwards of a million dollars, which was a lot of money in The intense media interest was heightened by any delays, and there was a lot of new music about.

    The industry had. Click the above photo for a video link Music journalist Matt Snow describes the legacy of Fleetwood Mac. Unfortunately, whatever the critics did or said, whatever the record company tried in the way of advertising, it came down to the listening public. Would it sustain an interest in the music?

    Fleetwood Mac Play Track Live For First Time In Five Decades

    The answer was no. Buckingham was under no illusions about the way his work had been received. People are still making their minds up about the album. That goes for the radio stations, too. Had she been in the wrong, she would have hidden behind the lawyers.

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